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Synthetic Aperture Color Finesse 3.0.10 Pl for Premiere Pro

Color Finesse 3插件是可以直接在Premiere Pro中工作。你簡單的訪問，直接在主機應用程序的顏色校正以及通過專門的顏色嫻熟的用戶界面。

大多數視頻編輯軟件現在擁有自己的內置色彩校正，但它往往是有限的能力，精度和性能。你經常會需要結合幾種顏色校正濾鏡來執(zhí)行，甚至簡單的校正。每個過濾器添加增加舍入誤差和圖像退化。顏色嫻熟做了所有它的顏色校正的操作，而不需要不斷地轉換格式而圓，減少錯誤并創(chuàng)建一個原始圖像。

The Color Finesse 3 PI plug-in works directly in Premiere Pro. You get simple access to color correction directly in the host application as well as via the specialized Color Finesse user interface.

Most video editing software now has its own built-in color correction, but it’s often limited in capability, accuracy, and performance. Often you’ll need to combine several color correction filters to perform even simple correction. Each filter you add increases rounding error and image degradation. Color Finesse does all its color correction operations without needing to constantly convert formats and round, reducing errors and creating a pristine image.

Color Finesse offers more correction tools—including secondary color correction and curves—than are found in most built-in correctors.

Color Finesse 3.0新功能：
Includes 64-bit plug-ins for use with Adobe After Effects CS5 and later and Premiere Pro CS5 and later.
The Macintosh version includes an FxPlug version of Color Finesse for use in Apple Final Cut Pro and Motion.
New Auto-Color and Auto-Exposure buttons give one-click access to your color correction starting point.
A new Vibrance control gives more refined control over image saturation. The Vibrance control is similar to that found in Adobe Lightroom.
New HSL curves let you control image saturation and lightness based on color hue.
A new Highlight Recovery tool provides a visually-pleasing way to recover overbright areas of the image which would normally be clipped.
Color Finesse can now export its color correction settings as a 3D LUT in a variety of formats, including Autodesk Lustre and Smoke, Academy LUT, Assimilate Scratch, Pogle, Truelight, Cine-tal, and LUTher.
The Color Finesse preview displays now automatically adjust to footage pixel aspect ratio, giving you a correctly formatted preview when working with anamorphic footage.
The Vectorscope has been enhanced with a zoom capability, making it easier to see detail when white and black balancing.
Color Finesse now supports the Tangent Wave control surface, in addition to our own Colorociter Colorist’s Workstation control surface.