Digital Tutors–Integrating Titles and Graphics into Footage in After Effects CC

在本系列教程中，我們將討論一些不同的方法來合成字幕和圖形為移動(dòng)畫面素材。我們將開始與一個(gè)有問題的鏡頭含有大量的水，很難追蹤。我們將使用After Effects內(nèi)置的3D攝像機(jī)跟蹤器插件。

下一步，我們將找出我們可以做錨文本2D不用我們出手的水，如何讓我們的文字看起來像它屬于那里。下一步，我們將利用擠出的文字與光線跟蹤渲染器創(chuàng)建更多的3D看標(biāo)題燈光和陰影我市場(chǎng)景的能力。最后，我們將創(chuàng)建一個(gè)動(dòng)畫圖形，我們將融入自然風(fēng)光，并學(xué)習(xí)如何使用相機(jī)時(shí)，跟蹤器，克服時(shí)間映射的鏡頭。

通過本次培訓(xùn)結(jié)束后，你將有怎樣的3D攝像機(jī)跟蹤器的工作原理有所了解，怎么去解決一些使用光線跟蹤渲染3D的局限性和一些方法，可以幫助你的標(biāo)題和圖形看起來更加一體化在自己的項(xiàng)目。

In this series of tutorials, we’ll talk about some different ways to integrate titles and graphics into moving footage. We will start with a problematic shot containing a large body of water that is hard to track. We’ll use the 3D camera tracker built into After Effects to give us tracking information.

Next we’ll figure out what we can do to anchor the 2D text without using the water in our shot and how to make our text look like it belongs there. Next we’ll utilize the ability to extrude text with the Ray-traced renderer to create a more 3D looking title with lights and shadows for our city scene. And finally we’ll create an animated graphic that we’ll integrate into a nature scene and learn how to overcome time-mapped footage when using the camera tracker.

By the end of this training, you will have an understanding of how the 3D camera tracker works, how to get around some of the limitations of using the Ray-traced 3D renderer and a few ways that can help your titles and graphics look more integrated in your own projects.

 
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