AE特效合成的時(shí)候，很多時(shí)候會(huì)在實(shí)拍素材加入特效，
分析，跟蹤，制作……等等的處理讓效果更加的真實(shí)，
有時(shí)候就是2D和3D效果混合在一起產(chǎn)生逼真的三維空間動(dòng)畫，
當(dāng)然如果想要讓特效合成更加細(xì)膩真實(shí)，那么就還需要對(duì)畫面進(jìn)行鏡頭色彩匹配，加入運(yùn)動(dòng)模糊，鏡頭扭曲失真效果等。
 
Incorporating a 3D camera into an otherwise 2D shot, or mixing 3D and 2D layers together brings 3D reality to the 2D screen. But there’s more to it than simply adding a camera or camera track to a composition. You need to match the characteristics of a real, physical camera: replicating how it sees the world. You need to match the color of the original shot, or maybe even make creative adjustments. You might need to tweak the lighting, match motion blur, or compensate for lens distortion. You might even want to take advantage of high dynamic range (HDR) imaging techniques or experiment with different filmic looks. In this course, Mark Christiansen takes you through these scenarios and the next step in After Effects compositing: matching a shot and making it look not just realistic, but cinematic.
 
簡(jiǎn)介視頻：

 
內(nèi)容包括:
Advanced color correction with multiple objects and Curves
Adding a light-wrap effect to composite into a backlit scene
Compositing into lens distortion
Recognizing and fixing rolling shutter
Matching motion
Working in HDR
Create cinematic color contrasts with Mojo
Customizing a film look with Looks

 
教程下載：
普通下載免費(fèi)鏈接
百度云會(huì)員鏈接鏈接密碼：qqpf BT文件會(huì)員鏈接鏈接密碼：ypt6

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